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Reliquary Guardian Figure with Studded Oval Face, in its Basket, Bakota, front

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Reliquary Guardian Figure with Studded Oval Face, in its Basket, Bakota

Kota · 20th century

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Details
CountryGabon
More about Country

Gabon, Central Africa. The Kota-speaking groups live mainly in the east of the country, in the Ogooué-Ivindo and Haut-Ogooué provinces, and across the border in the Republic of the Congo.

Tribe / CultureKota
More about Tribe / Culture

The Bakota (Kota) peoples of eastern Gabon and the neighbouring Republic of the Congo created some of the most striking sculpture of Central Africa. Their reliquary figures, known as mbulu ngulu, stood watch over bark baskets and bundles that held the revered remains of lineage ancestors.

Age / Period20th century
Symbolism & Iconography

Carved in wood and sheathed in hammered copper and brass, sheet and wire, each guardian transforms a human face into a radiant geometry. Metal was precious and charged with meaning; its brilliance was believed to ward off harm and honour the dead.

These forms later captivated the artists of early twentieth-century Paris, and they remain icons of African art today.

Here the guardian is set into a woven basket, as such figures once sat over the bundles that held the ancestors’ relics — the way they were meant to be seen.

Aesthetic & Formal Analysis

An oval face of cross-hatched brass, studded with copper bosses at the brow, eyes and cheeks, with a triangular nose and a copper plate at the mouth. A ringed neck leads to angular lozenge legs, sheathed and studded, standing in a full, rounded basket whose rim is bound with twisted fibre. The reverse is plain, dark wood.

Barakat Gallery · Marrakech

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