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Reliquary Guardian Figure with Side Lugs, in its Basket, Bakota, front

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Reliquary Guardian Figure with Side Lugs, in its Basket, Bakota

Kota · 20th century

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Details
CountryGabon
More about Country

Gabon, Central Africa. The Kota-speaking groups live mainly in the east of the country, in the Ogooué-Ivindo and Haut-Ogooué provinces, and across the border in the Republic of the Congo.

Tribe / CultureKota
More about Tribe / Culture

The Bakota (Kota) peoples of eastern Gabon and the neighbouring Republic of the Congo created some of the most striking sculpture of Central Africa. Their reliquary figures, known as mbulu ngulu, stood watch over bark baskets and bundles that held the revered remains of lineage ancestors.

Age / Period20th century
Symbolism & Iconography

Carved in wood and sheathed in hammered copper and brass, sheet and wire, each guardian transforms a human face into a radiant geometry. Metal was precious and charged with meaning; its brilliance was believed to ward off harm and honour the dead.

These forms later captivated the artists of early twentieth-century Paris, and they remain icons of African art today.

Here the guardian is set into a woven basket, as such figures once sat over the bundles that held the ancestors’ relics — the way they were meant to be seen.

Aesthetic & Formal Analysis

A tall, rectangular head sheathed in cross-hatched brass, with short lugs at the sides, copper bosses for eyes and a sharp brass nose above a copper plate at the mouth. The long neck is ringed in copper and brass and studded, and the open lozenge legs, sheathed and studded in turn, sink into a round woven basket packed with fibre.

Barakat Gallery · Marrakech

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