Aller au contenu
Masque esprit-animal (style Goli / Kple Kple)

Pincez, faites défiler ou utilisez + / − pour zoomer

Disponible

Masque esprit-animal (style Goli / Kple Kple)

· Mid-20th century

Ouvrir WhatsApp

Détails

Détails
PaysGabon
Époque / PériodeMid-20th century

Mid-20th century, based on surface wear, worn pigment, and hand-smoothed patina consistent with genuine handling and ceremonial use

Symbolique et iconographie

Part of the Goli masking tradition — a multi-mask dance cycle performed at Baule funerals, celebrations, and welcoming ceremonies. This mask's animalistic, muzzle-like face and large disc eyes are typical of the lower-ranking "kple kple" or bush-animal masks that open the Goli performance sequence, representing untamed nature spirits before the more refined human-faced masks appear later in the cycle.

Large, round pale eye discs — evoke heightened vision and spiritual alertness; the stark white/cream tone marks a connection to the spirit world, echoing the same symbolic use of white seen across Baule/Guro ritual art

Elongated snout/muzzle with carved nostril slits — identifies the mask as representing a wild, untamed bush spirit or animal ancestor rather than a human, reinforcing its role as an early, "raw nature" presence in the dance hierarchy

Blue and ochre chevron stripes on the brow — geometric pigment patterns are a hallmark of Goli-tradition masks; the colors and angular design are believed to heighten visual impact during dance performance and may carry clan- or workshop-specific meaning

Small rounded ears at the crown — reinforce the animal identity, distinguishing it from the idealized human portrait masks in the same tradition

Protruding, rounded mouth — adds to the beast-like character, contrasting with the serene human mouths typical of Baule portrait masks

Analyse esthétique et formelle

This mask leans into bold abstraction and animal symbolism rather than naturalistic human portraiture — flat planar geometry, oversized circular eyes, and graphic painted stripes create a striking, almost totemic presence. It reflects the Baule/Guro belief that the natural and spiritual worlds are represented through different registers of stylization: raw, geometric abstraction for bush spirits and animals, versus soft naturalism for human ancestor portraits.

Barakat Gallery · Marrakech

Découvrez les nouvelles pièces en premier.

Nouvelles pièces, expositions et visites privées — un ou deux e-mails par mois, rien de plus.

En vous inscrivant, vous acceptez de recevoir les nouvelles de Barakat Gallery Marrakech, un ou deux e-mails par mois. Désinscription à tout moment.