
Sierra Leone

· 15e–19e siècle
600 000 £GB Prix hors transport
| Dimensions | Hauteur 37,5 cm (14¾ in) |
|---|---|
| Pays | Nigeria |
| Époque / Période | 15e–19e siècle |
Thermoluminescence'Tested'by'the' UCLA'Institute'of'Geophysics' Benin art is royal art, intended to promote the mystique of the Oba (king), and to glorify his ancestors. This extraordinary crown is rich in symbolism, all of which indicate one central theme: power. Standing on the base is a somewhat corpulent figure dressed as a bird; the head having a long beak and crest similar to a cock. Finely delineated feathers of the wings extend beyond the body on either side, and at the middle below the buttocks. The feet or claws are also those of a rooster. The figure holds a shield in his left hand and a snake-like staff in the right. At the warrior's feet is a severed head wearing a peaked cap. Birds are important in Benin iconography, the cock most often associated with the queen mother. However, in this case the cock is symbol of masculinity, fertility and dominance over rivals. The base is dominated by a face with features in high relief. This is most likely a representation of a great ancestor, or a powerful deity. From the nostrils two snakes emerge. It is believed those who are magically powerful issue snakes from the nostrils when setting out to destroy their enemies.