Silver Sculpture of the Buddha

After the fall of Angkor and the great Khmer Empire in the 15th Century, Cambodia fell under the control of the Thai. The Ayutthayan invasion initiated a period of foreign influence and occupation that lasted until the French granted Cambodia independence on November 9, 1953. Initially, in 1864, the French were welcomed in the 19th Century by King Norodum, the ruler of Cambodia. Having been alternately controlled by the Thai and Vietnamese for over four hundred years, Norodum expected the French to protect his country from his neighbors. While the French where unable to thwart Siam (Thailand) from temporarily annexing western regions of the nation, they did manage to stop the country from being completely divided between Siam and Vietnam.

This silver sculpture of the Buddha reveals the influence of foreign cultures on the art of Cambodia. It is ironic that Thailand, which began as a breakaway province of the Khmer Empire with the establishment of the Sukhothai Kingdom in 1238, was initially artistically and culturally indebted to the Khmer. For by the time this sculpture was created, the art of Cambodia was wholly reflective of the Thai influence on the culture and politics of this once mighty nation. Here, the Buddha is seated in the Vajraparyanka lotus posture (Padmasana) resting his arms in the Bhumisparsa mudra, or “gesture of touching the earth.” A symbol of unshakable faith and resolution, this mudra portrays the Buddha taking the earth as his witness. The Sakyamuni is enthroned upon a high, tiered, triangular shaped lotus throne.